About the Play

"Confessions of an Unredeemed Drug Addict" is a visceral exploration of William Burroughs' tormented psyche in the aftermath of accidentally killing his wife Joan during a drunken "William Tell" game in Mexico City. Set in a claustrophobic Tangier hotel room, the play chronicles Burroughs' descent into addiction and his supernatural encounters with "The Creature"—a manifestation of the "Ugly Spirit" that he believed possessed him.

The play unfolds as Allen Ginsberg arrives to care for his troubled friend, witnessing Burroughs' ritualistic drug use and his conversations with entities only he can see. As the walls literally tilt inward and reality becomes increasingly unstable, the audience experiences Burroughs' fractured consciousness and his struggle to write his way out of possession while being haunted by Joan's ghost.

Excerpt

BURROUGHS: (to audience) There's a theory that we don't actually choose our addictions. They choose us. Like a parasite seeking the perfect host. I've been trying to write my way out of this possession, but the words stick in my throat like fish bones.

THE CREATURE: (voice distorted, insect-like clicking beneath words) William. Time for our regular appointment.

Theatrical Approach

The production utilizes innovative staging techniques including tilting walls that gradually close in on the characters, projection screens showing disturbing montages of insects and surgical procedures, and supernatural manifestations through shadow play and sound design. The Creature is only partially visible, existing in shadows and requiring precise choreography to suggest its insect-like movements.

The play demands mature performers comfortable with themes of addiction, guilt, and supernatural horror. The drug preparation scenes are choreographed with ritualistic precision, while Joan's ghostly presence is maintained through careful lighting and sound cues. The production requires a minimum cast of three actors, with one playing The Creature through voice and movement.